Saturday, February 18, 2012

"It's In Your Blood": A Vampire Story

I'm excited to announce the inclusion of my short story "It's in Your Blood" in Bites - Ten Tales of Vampires, released this week. Those of you who've read "Initiation" may notice similarities between this story and that one.  That's because it is the same story, revised for this edition and with several significant changes. Darker in tone, also. I'm fascinated with how humans deal with the shadow aspect of their consciences.

This is probably one of the reasons I enjoy writing and reading horror. True, it's not always easy to acknowledge the dark side of human nature. Even more difficult when you realize real life can be far more terrifying than fiction. Horror forces us to confront our deepest fears.

Perhaps Nietzsche's warning suffices here. “Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.”

You can learn more about Bites - Ten Tales of Vampires on Amazon or Smashwords. Also, February is Women in Horror Month. What better way to celebrate than with a new release that includes many stories written by women?


Scene of "It's in Your Blood"

Wednesday, February 1, 2012

Death Sword Interview with Gabriel and Metatron

Note: This interview is a companion to another dual character interview. (The link will go live February 2nd) http://gravetells.com/2012/02/02/interview-giveaway-death-sword-author-pamela-turner-chats-with-her-characters-xariel-karla/


Pamela Turner: 
Hello and welcome. As you may know, I have an interview with Xariel and Karla Black, my hero and heroine from my urban fantasy/paranormal Death Sword, over at GraveTells. Gabriel and Metatron complained they hadn’t been asked so I agreed to give them some air time here. Besides, the sight of Gabriel swinging that damn scythe is too nerve wracking.  Gabriel, Metatron, welcome. Please tell us a little about yourselves.

Metatron:
Thank you for having us. (To Gabriel) Put the scythe away. Thank you. I’m Metatron, king of angels and overseer of the angels of death. I report to Azrael, the archangel of death, who gives me a list of those who are to die that day. I pass these on to my subordinates.

Gabriel:
I’m Gabriel, better known as the messenger angel of the Annunciation. But my other roles are as an angel of death as well as a warrior angel. I collect the souls of young people.

Metatron:
He forgot to mention he’s a damn good chess player. Practically grand master.

PT:
Metatron, I’ve heard there’s some dissension in your ranks. How do you deal with that?

Metatron:
I prefer to let my charges work their problems out themselves. If the situation becomes too difficult, I’ll step in but these arguments usually don’t last.

Gabriel:
Tell that to Xariel. I think he’s still pissed off at me even after all these years.

Metatron:
Well, to be honest, you do have a tendency to act like you’re better than him. Of course, we all know how you feel about Xariel.

Gabriel:
What? Metatron, stop spreading rumors. There is nothing going on between Xariel and me. Besides, he’s in a relationship with Karla.

Metatron:
For now...

PT:
Gabriel, you actually like Xariel?

Gabriel:
I like him but I don’t “like” him.

Metatron:
(Rolls eyes) And you are so in denial. If Xariel didn’t have those curses placed on him, you’d probably be scheming to get rid of Karla as much as Samael is.

Gabriel:
Can we please change the subject?

Metatron:
Well, you were the one who complained Xariel and Karla got all the attention.

Gabriel:
(Throws up his hands) I’m sorry I ever opened my big mouth.

PT:
Let’s move on. This question’s for both of you. How do you think Karla is doing as a half-human angel of death?

Metatron:
Better than I expected. Xariel is a remarkable teacher and mentor. Of course, I know something about her that no one else does. But I’m not going to reveal it. You’ll have to wait.

Gabriel:
I agree with Metatron. Karla is proving to be a capable angel of death. Surprising, given her human attributes. She’s fiercely loyal to those she cares about. I admire that about her, even if she is an insolent brat sometimes.

Metatron:
He’s never happy.

PT:
Right! Before you both set off World War 3, what’s your take on Samael?

Gabriel:
Too dangerous to be left running around. I’m not worried for myself, but Xariel and Karla are vulnerable. (Glares at Metatron) Thanks to you.

Metatron:
How many times do I have to tell you, I had no choice? But you’re right. I only hope they can deal with Samael when the time comes.

PT:
Karla and Xariel have also indicated Samael’s dangerous. If this is true, why do you keep him around?

Metatron:
He’s an angel of death as well as chief of satans. And as an angel of death, he reports to me. Samael also knows the consequences if he steps out of line.

Gabriel:
He just doesn’t care about the consequences.

PT:
Point taken. Well, our time here is about up. I’d like to thank  you both again for stopping by.

Metatron:
Thank you for accommodating us. Hope we haven’t been too difficult.

PT:
No. Not at all. Well, to quote The Prisoner, “Be seeing you.”

Gabriel:
Likewise.

PT:
Good bye, folks. Thanks for checking out these interviews. :-)


Sunday, January 8, 2012

2012: What Now?

The year started off a bit shaky. Migraines and sinus headaches waylaid me the first couple days. Then I got hit by an unfavorable review on the anniversary of Death Sword's release. Ouch! January 5 was the 23rd year since my mother passed away in a car accident.

January 4 saw a more positive take on the new year with the release of an interview, courtesy of Ashley Barron. You can read it here:  http://blog.thepriyas.com/2012/01/04/author-interview-pamela-turner.aspx

I wanted to see what the rest of 2012 would bring regarding writing. Since I hadn't submitted any story in 2011, one of my goals this year is to submit a minimum of two manuscripts. But what else could I learn about myself that would help or hinder my literary intentions?

I decided to read the Tarot. Specifically, I laid out a six card Simplified Celtic Cross. Now I am by no means a professional Tarot reader. What I interpret from the reading may be far different than what other Tarot readers might. But I also believe the Tarot delves into ones intuition. Perhaps this reading will show that aspect of these cards.

The Tarot deck I used was the Celtic Tarot.

1. Experience to Date: 8 of Swords
A woman bound and blindfolded, pinned and surrounded to the ground by eight swords. The card of "imprisonment." But it seems to be more one of self-confinement. How many times had I failed to finish and submit a story because I feared it would be rejected? Yeah, self-doubt does that to a person.   

2. Where You Are Now: 10 of Pentacles
This card is considered to be the passing of time. I think for me it's regret over not accomplishing anything with my writing in the past year. Not that I can do anything about it. But I also look at this as being a temporary solution, one I can change. 

3. Near Future: Empress
Is this a good sign? The focus is on "prosperity, action, beneficial influence..." I wonder if it means I'll have a manuscript ready to submit in the near future. I have an UF currently with beta readers/CPs, so maybe...  

4. You in Environment of Future: Lovers
My husband is very supportive, allowing me to focus on my writing and classes. Granted, he hasn't read much of what I've written but I'm not going to quibble over that issue. :-)

5. Best to Hope for: Chariot
Well, this card is pretty self-evident. The idea is I'm in charge of my writing career. I just need to take control of it. 

6. Outcome: Queen of Pentacles
I look at this card as being a positive one. It seems I will attain some results but perhaps not all I want regarding the writing. Still, any positive step is a good one.

Overall, I believe 2012 will be a good year writing wise. Not only because the reading indicates such but because I plan to make it so.  

Saturday, December 24, 2011

Season's Greetings!


Wishing you all a wonderful holiday season and 
a prosperous 2012!

Tuesday, December 20, 2011

DR RAYNE'S CURE FOR SIGHS


In thirty years as an editor, I've found the same words blight and bloat the style of many authors. One of them is 'sigh'.

In real life, people who constantly sigh soon get on our nerves. Few folks enjoy the company of sighers.  The same applies to fiction: readers don't like characters who sigh a lot.

Yet, sighs creep into fiction and multiply like vermin.  If you're not on your guard, your novel soon reads like this:

He sighed....She sighed deeply.... He heaved a deep sigh... A sigh escaped from her lips.... With a sigh, she did this... Sighing, she rose.... He looked at her and sighed...

Moreover, a character who sighs  at the slightest trigger comes across as a wuss.

One sigh is enough for the reader's subconscious to file that character as a wimp.  Two sighs make the character a wimpy wimp. By the time your heroine has heaved her third sigh, the reader has lost respect for her.

It's raining - sigh.
Aunt Agatha is coming - sigh.
Little Laura misbehaves - sigh.
The kitten scratches - sigh.
Work needs doing - sigh.
Another Monday - sigh.
Life goes on -  sigh.

Use your wordprocessor's Find&Replace tool to count how many times you've used 'sigh', and then cut most of them.

By cutting the sighs, you'll make your writing tighter and your characters spunkier.

I recommend keeping just one or two sighs in the whole book: one for a wimpy minor character, and one in the second half of the book where your protagonist has real reason to sigh.

I'd love to hear from you. When you've checked your WiP for 'look' and 'turn', post a comment to tell me how many you've found, and whether you're going to cut some of them.

What other 'wordy words' do you think writers can cut from from their word diet?

If you have questions about writing style, or need advice on how to tighten your writing, please ask. I'll be around for a week, and I enjoy answering questions.

 
JANUARY ONLINE CLASS: THE WORD-LOSS DIET

If your writing style tends towards wordy waffling, if your critique partners urge you to tighten, and if editorial rejections point out dragging pace, this class may be the answer. It's perfect for toning your manuscript before submitting to editors and agents, or for whipping it into shape before indie publishing.

This is an interactive class with twelve lessons and twelve assignments, for writers who have a full or partial manuscript in need of professional polish. At the end of the class, you may submit a scene for individual critiques.

Dr Rayne's Word-Loss Diet is much more fun than depriving yourself of food, and you'll see real results fast.

The Word-Loss Diet, presented by Rayne Hall. 1-31 January 2012
Deadline: December 29, 2011. Fee: $25
http://www.oirwa.com/forum/campus/#JAN



'Author portrait by Kuoke; copyright Rayne Hall.'
AUTHOR BIO
 
Rayne Hall is the author of more than twenty books in different genres, published under several pen names with different publishers. Currently, she writes scary horror and outrageous fantasy fiction, and tries to regain the rights to her previously published works so she can re-publish them as e-books.

She has a college degree in publishing management and a masters degree in creative writing, and has worked for nearly three decades in the publishing industry in Britain, Germany, China, Mongolia and Nepal, mostly as an editor.

After writing and editing, her great love is teaching, and she teaches online classes for writers: 'Writing Fight  Scenes', 'Writing Scary Scenes', 'Writing about Magic and Magicians', 'Writing about Villains', 'Dr Rayne's Word-Loss Diet', 'SWOT for Writing Success' and more.



Thursday, December 1, 2011

A Tale of Two Vampires

(Cross-posted from Write Club)

It's official! I finished The Ripper's Daughter, my vampire Victorian paranormal mystery for National Novel Writing Month on November 20 and verified it November 25.

I wanted to write about vampires, but I also wanted my story to be different. So I decided to make the relationship between Nathan and Stephen a symbiotic one. Stephen needed Nathan to drink his blood and Nathan had someone he could feed from without endangering other people's lives. Their relationship goes much farther, however, a sexual one they need to keep hidden from society. Not only that, but also continuing the charade of Stephen, Nathan's master, playing the part of his manservant.

Inspector Lewis
What really inspired me to write this story, though, was Inspector Lewis. The show aired on Masterpiece Mystery while I was plotting my NaNo WIP. Not that the two have anything in common except I knew, after watching Inspector Lewis, I wanted Nathan to be a former Detective Inspector.

Who would I pit Nathan against? Then it came to me. Who is the most infamous murderer in Victorian history? Jack the Ripper. (Okay, there are others, but I'm going with the most well-known.) And what if Jack the Ripper weren't human? What if he were a werewolf, and only Nathan knew this? So the DI risked his life and all he had to become a vampire and stop the Ripper? But what if he failed?

I explore this throughout the story. The guilt Nathan feels at failing to catch the Ripper and the determination to stop him when he finds the Ripper has come to Louisville, Nathan's new home. Nathan now owns a saloon called The Cloak and Dagger. I wanted a place where he could get information but not resort to making him work as a police officer or as a reporter. Besides, both those jobs would require working in daylight, something Nathan can no longer do. He can go out in overcast weather but direct sunlight will cause considerable damage, even death. And if Nathan dies, so does Stephen and vice versa.

Although this is a first draft, I thought I'd share a short excerpt.Remember, this is from a draft and is not intended to be considered final.

Please enjoy!

Excerpt:

I caught Stephen biting his lower lip, a worried expression on his face. Concern? He needn’t worry. After all, he turned me, knowing a vampire’s strengths and weaknesses. He knew I wouldn’t take foolish risks.

No, it was something else. Stephen hadn’t eaten or drunk much the last couple of days and seemed a bit sluggish and redder in the face, as if stricken with high blood pressure.

Something primal stirred in me. A faint coppery smell triggered an ache in my fangs which dropped slightly.

Our eyes met, Stephen’s blue ones darkening. He rose, pulling the brocade curtains shut against the moonlight and any passersby. We couldn’t risk complacency. To do so could put our lives in danger.

He crossed the room and sat on the sofa next to me. The light from the lamp glinted on his hair, throwing shadows across his face, the bridge of his aquiline nose. But my attention was drawn to his carotid artery. I licked  my lips, desire pooling in my body, heightened by his nearness and the smell of blood. As my fangs continued to drop, my need grew and I shifted impatiently, eager to drink.

Stephen leaned his head back. I unbuttoned his shirt collar, pushing it aside to reveal pale flesh at the juncture of neck and shoulder. Leaning in, I breathed in the scent of soap and water, a clean smell.

He made no sound as I licked the skin, readying it. I looked down to see Stephen clench his fists and I wrapped my fingers around his wrist. The gesture served two purposes, to comfort him and to anchor myself against the ecstasy of drinking his blood.

Stephen closed his eyes. My breathing quickened, my heartbeat increased as adrenaline pumped through my bloodstream. In contrast, Stephen’s breathing and heart rate slowed as his heart struggled to pump the excess blood circulating through him.

Again, I marked the spot with a gentle swipe of my tongue, tasting salt. The ache in my fangs intensified and I became heady with passion, both for his blood and his body, which needed to be satisfied in that order.

I bit, incisors pricking his skin. A thin line of blood trickled free and I lapped at it. Within seconds I fed, my mind focused on Stephen and the pleasure this act gave both of us.

For him, it was relief. For me, it became an almost orgiastic experience.

His hand tightened on my leg, fingers pressing into my kneecap as I continued to drink. At first I worried I hurt him. But he assured me the sensation was one of pleasure-pain and far more preferable to the discomfort he felt when his body became gorged with too much blood.

Friday, November 25, 2011

The Ripper's Daughter and an Update

First, I'm excited to announce I won NaNoWriMo with my short novel, The Ripper's Daughter.

"Nathaniel James, former DI with Scotland Yard, is now a vampire and owner of the saloon, The Cloak and Dagger, in Louisville, Kentucky. But he can't seem to let go of his inspector past. When the mauled bodies of  prostitutes start showing up, Nathan believes the Ripper has come to the River City. But why? And who is the mysterious young woman who now accompanies the Ripper?

Nathan knows one thing. The police won't be able to catch the Ripper using conventional methods. Not when their killer isn't human."

(Note: That's a working blurb, nothing official.)

This story is my first mystery. It's a cross-genre paranormal erotic romance/mystery. For those of you who don't know, I love reading whodunits, from cozies to hard-boiled. I'm currently reading Fadeout by Joseph Hansen and wondering why it took me so long to find the David Brandstetter mysteries.   

The other news is a bit more complicated. I've discovered I may be an Empath. Earlier this month, on the 14th and 15th, I suffered from a near-suicidal depression. It was so bad, I also nearly deleted my works-in-progress, including my NaNo project. I had no idea why I felt this way. Life up to then had been fine. Wednesday came and the miasma of pain disappeared, as if it had never been there. Strange, I thought. But then I learned that on that same Monday, someone I knew had killed himself.

This is something I've been struggling with. Have some of my other "depressions" merely been psychic reactions to other people's deaths? People I didn't know? People who died by their own hand, consumed with a grief so strong they projected it onto me?

If this is true, it's something I need to deal with. Like someone said, we all have an empathic ability to some extent. I guess I'd kept mine shut off for so long I'd no idea.

I attended his memorial service. Even though I'd only met him a few times, I wanted that chance to say goodbye. 

Suffice it to say, I didn't destroy any stories. (The thought of retyping doesn't appeal to me.) I've gone back to Serpent Fire, the second book in my Angels of Death series. I know it needs work but I think I'm ready to tackle it. Same with my other angel urban fantasy. But I plan to write more stories involving other preternatural beings, including some not common to Western readers, such as the alp.

Because you know what? I don't plan to give up on my writing. I'm just not wired that way.